This second volume of orchestral music by the English composer Steve Elcock (b. 1957), long since resident in France, brings three powerful works all with their origins in earlier pieces. Incubus examines the terrors of nightmare-riven sleep in a vigorous symphonic essay based on a movement from Elcock's string quartet Night after Night. The impulse behind Haven, an expansive and surprisingly muscular fantasy, is the Sarabanda theme from Bach's First Partita for solo violin. And Elcock's Fifth Symphony takes it's cue from the most famous of all Fifth Symphonies, re-examining Beethoven's structural logic in Elcock's own musical language to produce a volcanic new Fifth, it's charge of wild energy husbanded to maximum dramatic effect.
This second volume of orchestral music by the English composer Steve Elcock (b. 1957), long since resident in France, brings three powerful works all with their origins in earlier pieces. Incubus examines the terrors of nightmare-riven sleep in a vigorous symphonic essay based on a movement from Elcock's string quartet Night after Night. The impulse behind Haven, an expansive and surprisingly muscular fantasy, is the Sarabanda theme from Bach's First Partita for solo violin. And Elcock's Fifth Symphony takes it's cue from the most famous of all Fifth Symphonies, re-examining Beethoven's structural logic in Elcock's own musical language to produce a volcanic new Fifth, it's charge of wild energy husbanded to maximum dramatic effect.
5060113444455
Orchestral Music 2

Details

Format: CD
Label: TOCCATA
Rel. Date: 05/01/2020
UPC: 5060113444455

Orchestral Music 2
Artist: Siberian Symphony Orchestra
Format: CD
New: Available 18.99
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DISC: 1
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1. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): I. Introduction
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2. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): II. Laura’s Dance
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3. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): III. Habanera
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4. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): IV. Intermezzo
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5. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): V. Scene - Serenade
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6. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): VI. Chant In The Convent
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7. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): VII. Fast Dance
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8. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963): VIII. Finale
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9. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986): I. Introduction
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10. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986): II. Arrival Of The Guests
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11. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986): III. Waltz
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12. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986): IV. Erlynne’s Wait
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13. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986): V. Dance Of The Dolls
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14. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986): VI. Farewell Waltz
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15. Ballet Suite (Arr. L. Feigin 1973): I. Introduction - Waltz
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16. Ballet Suite (Arr. L. Feigin 1973): II. Nocturne
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17. Ballet Suite (Arr. L. Feigin 1973): III. Dance Of The Girls
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18. Ballet Suite (Arr. L. Feigin 1973): IV. Adagio
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19. Ballet Suite (Arr. L. Feigin 1973): V. Gavotte
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20. Ballet Suite (Arr. L. Feigin 1973): VI. Slow Waltz
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21. Ballet Suite (Arr. L. Feigin 1973): VII. Galop
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More Info:

This second volume of orchestral music by the English composer Steve Elcock (b. 1957), long since resident in France, brings three powerful works all with their origins in earlier pieces. Incubus examines the terrors of nightmare-riven sleep in a vigorous symphonic essay based on a movement from Elcock's string quartet Night after Night. The impulse behind Haven, an expansive and surprisingly muscular fantasy, is the Sarabanda theme from Bach's First Partita for solo violin. And Elcock's Fifth Symphony takes it's cue from the most famous of all Fifth Symphonies, re-examining Beethoven's structural logic in Elcock's own musical language to produce a volcanic new Fifth, it's charge of wild energy husbanded to maximum dramatic effect.