Vintage Vinyl

Blues & Jazz

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Soundcheck is the sixteenth solo album by legendary rock guitarist Leslie West. Leslie West (born Leslie Weinstein, October 22, 1945) first gained worldwide recognition in 1969 as the guitarist and singer in the groundbreaking rock band Mountain. West's wholly unique sound, distinguished by beautifully melodic phrasing, his slow, wide vibrato, and a crushing guitar tone set the standard in the late sixties and early seventies for blues/rock guitar playing of the highest order. Leslie lays down some of his most inspired musical magic to date with the assistance of true rock royalty: the renown British guitarist Peter Frampton and Brian may, ex-Jeff Beck keyboard virtuoso Max Middleton, vocalist extraordinaire Bonnie Bramlett and the late great Cream bassist and longtime friend of Leslie's, Jack Bruce. Soundcheck is co-produced and engineered by West's collaborator Mike "Metal" Goldberg, who he shared "helped me get my sound down on 'tape' as they use to say, and did an amazing job as he always does."
Leslie West - Soundcheck
$11.98
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Originally released in 1963, “Caravan” was Art Blakey and the Jazz Messengers' first album for Riverside Records. Featured in addition to Blakey are Freddie Hubbard (trumpet), Curtis Fuller (trombone), Wayne Shorter (sax), Cedar Walton (piano) and Reggie Workman (bass). This new edition is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.
Art Blakey & The Jazz Messengers - Caravan [Original Jazz Classics Series LP]
$38.98
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Originally released on Milestone in 1969, the hard-bop cult classic Power to the People finds legendary saxophone virtuoso Joe Henderson soaring in the intersection of thematic development and ecstatically pure sound, joined by a titanic rhythm section featuring Mike Lawrence, Herbie Hancock, Ron Carter and Jack DeJohnette. This Jazz Dispensary reissue was mastered from the original analog tapes by Kevin Gray, pressed on 180-gram vinyl at RTI, and comes packaged in a gatefold tip-on jacket.
Joe Henderson - Power To The People [Jazz Dispensary Top Shelf Series LP]
$29.98
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A classic of the genre, “Way Out West” was tenor saxophonist Sonny Rollins’ first album for west coast label Contemporary Records when released in 1957. The first album to employ the “strolling” technique, Rollins was backed by Ray Brown (bass) and Shelly Manne (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl, and presented in a tip-on jacket.

Sonny Rollins - Way Out West [Contemporary Records Acoustic Sounds Series LP]
$29.98
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Jazz vocalist Helen Humes’ second album on Contemporary Records, “Songs I Like to Sing!” was released in 1961 and is conducted by Marty Paich. Backed by musicians including Art Pepper (sax), Leroy Vinnegar (bass), Shelly Manne (drums), Barney Kessel (guitar) and Andre Previn (piano). This new edition released as part of the Acoustic Sounds Series, features (AAA) Lacquers cut from a 1/4" flat tape copy of the original master tape by Bernie Grundman and is pressed on 180-gram vinyl at QRP.
Helen Humes - Songs I Like To Sing! [Contemporary Records Acoustic Sounds Series LP]
$29.98
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Recorded in 1960, Art Pepper’s 5th album release on Contemporary Records, “Intensity”, was released in 1963. A collection of 7 jazz standards the album features Dolo Coker (piano) along with Jimmy Bond (bass), and Frank Butler (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Art Pepper Quintet - Intensity [Contemporary Records Acoustic Sounds Series LP]
$29.98
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Art Pepper’s third album on the Contemporary Records label, “Gettin’ Together” was released in 1960. Featuring a selection of both standards and originals the album also includes Conte Candoli (trumpet), Wynton Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Art Pepper Quintet - Gettin' Together [Contemporary Records Acoustic Sounds Series LP]
$29.98
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Recorded live at The Renaissance in Hollywood, CA on Oct 14 1960, Ben Webster at the Renaissance was released on Contemporary Records. Featuring with Saxophonist Webster are Jim Hall (guitar), Jimmy Rowles (piano), Red Mitchell (bass), and Frank Butler (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Ben Webster - At The Renaissance  [Contemporary Records Acoustic Sounds Series LP]
$29.98
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Bringing together trumpeter Howard McGhee and saxophonist Teddy Edwards, “Together Again!!!!” was originally released on Contemporary Records in 1961. In addition to Edwards and McGhee, the album features Phineas Newborn Jr. (piano), Ray Brown (bass), and Ed Thigpen (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Teddy Edwards & Howard McGhee - Together Again!!!! [Contemporary Records Acoustic Sounds Series LP]
$29.98
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Harold Land’s hard bop album “The Fox” was originally released in 1960, with Contemporary Records reissuing it in ‘69. Featuring Harold Land (tenor sax), Dupree Bolton (trumpet), Elmo Hope (piano), Herbie Lewis (bass), Frank Butler (drums) it was produced by David Axelrod. This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original analog tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Harold Land - The Fox [Contemporary Records Acoustic Sounds Series LP]
$29.98
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What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, “J's week beats your year.”

What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. “When I'm writing for the band,” he says, “I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened.”

Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, “Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones.”

Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on “I Can't Find You,” where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew “Doc” Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, “Your Feel,” he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads.

What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly recognizable approach to making music.

So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him.

–Byron Coley

J Mascis - What Do We Do Now [Clear Purple LP]
$24.98 Video
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Acclaimed vibraphonist Joel Ross returns with the release of his remarkable album nublues, a collection of ballads and blues as seen through the lens of one of the most creative modern jazz groups featuring Immanuel Wilkins, Jeremy Corren, Kanoa Mendenhall, and Jeremy Dutton, as well as special guest Gabrielle Garo. The band moves seamlessly across the blues-imbued musical terrain of this 10-track set which includes 7 new Ross originals and pieces by John Coltrane and Thelonious Monk.

Joel Ross - nublues [2LP]
$37.99
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New Blue Sun is the continuation of discovery for me. My entire career has been fueled by this and it is the only thing that keeps me honest. This album is the most honest and interesting offering I can give today. I never could have imagined in high school, when I started rapping and doing music that I would be here right now playing wind instruments. Ha. This life ride always surprises me. I’m here for it.” — Andre 3000

This limited edition 3-LP vinyl is pressed on 180g black vinyl with fold out poster, printed inner sleeves and note from the artist.

Andre 3000 - New Blue Sun [Limited Edition 3LP]
$83.99
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Bassist and composer Marcel Bonfim’s debut album, Farewell / Despedida, features a set of original compositions and two unique cover arrangements, introducing listeners to his world of influences and experiences from growing up in Brazil then coming to the United States. Ranging from jazz to Brazilian popular music, the emotion pours from this debut offering.

Marcel Bonfim - Farewell / Despedida
$13.98
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The funk fans have been waiting for this one. Finally available on vinyl, Grant Green's near perfect slice of jazz funk and soul, Live at Club Mozambique, remastered and rendered back in the Motor City. Grant Green's band had been playing a series of live dates at Detroit's Club Mozambique, (before it became a fabled Male dance club) when this session was recorded live on two cold January nights in 1971. Powerhouse drummer Idris Muhammad and soulful tenor star Houston Person were brought in to supplement Green's current band featuring Ronnie Foster on organ and Clarence Thomas on Soprano and Tenor Sax and Blue Note producer Francis Wolff recorded. This treasure was never released, though, and (conjectures aside) remained in the Blue Notes vaults for 35 years before a 2006 CD release. Sounding incredibly fresh and live, you'd be hard-pressed to find a more real stamping of Grant Green at the top of his game. The lp blends extremely hypnotic and wild funk such as their opening cover of a local funk hit ''Jan Jan'' by the Fabulous Counts next to laidback renditions of early 70's soul favorites ''Walk on By'', ''Patches'' and ''One More Chance'' by the Jackson 5. It perfectly captures the magic of hearing a legendary band effortlessly doing their thing in a small club while the audience unwinds after a long work day. Green pulls it all together with his melodic genius and perfect delivery. Great artists make it seem so easy. No pretensions here, just a great band burning up the stage with unmistakable chemistry on what might be the ultimate jazz funk time capsule. Maybe you can't go back in time, but if you close your eyes and light a cigarette, you might be convinced you're sitting in a wood-paneled club on Detroit's Westside enjoying Grant Green and his band tear it up.

313 Series
Detroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re-release by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real.

For an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums delivered live up to the tradition they are part of. The Third Man Records team's commitment to audio purity means no corners can be cut; sound and mastering engineer Warren Defever's goal being to provide the closest possible approximation of the magic found on the original master's tape brought to your living room. From the lacquers cut in the studio on the Neumann VMS-70 Cutting Lathe to the 180 gram vinyl pressed across the hall, every step of the process is tested in the facilities against exacting standards. That's the Detroit way and the reason why the musical legacy from the 313 area code remains beloved around the world.

Grant Green - Guitar
Ronnie Foster - Organ
Idris Muhammad - Drums
Clarence Thomas - Soprano Sax, Tenor Sax
Houston Person - Tenor Sax

Recorded live at Club Mozambique - Detroit, MI 1971 by Francis Wolff

Grant Green - Live At Club Mozambique [Indie Exclusive Limited Edition Opaque Green 2LP]
$55.98
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Grant Green - "I Want To Hold Your Hand (Blue Note Tone Poet Series)" / The trio of Grant Green, Larry Young and Elvin Jones had a unique alchemy from the first time they got together on 1964's Talkin' About. For 1965's I Want To Hold Your Hand, they added Hank Mobley to the mix for sophisticated renditions of well-known songs by the Beatles, Antônio Carlos Jobim, Cole Porter and more. Blue Note Tone Poet Series is produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI and packaged in a deluxe gatefold tip-on jacket.
Grant Green - I Want To Hold Your Hand (Blue Note Tone Poet Series) [LP]
$38.98
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Cloudward is the new release by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis; the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprises Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track “Incarnadine.”  The dual 2022 releases’ acclaim included being named Jazz Album of the Year in DownBeat’s annual Critics Poll. Halvorson and the ensemble will tour internationally following the Cloudward release, including February and March dates in Maryland and New York, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.

“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” Halvorson says. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”

Mary Halvorson - Cloudward [LP]
$24.98
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Maximum Swing: The Unissued 1965 Half Note Recordings is the first official release of the complete collection of previously unreleased recordings from jazz guitar giant Wes Montgomery. Featuring recordings with the Wynton Kelly Trio at New York City’s famed Half Note jazz club in 1965 with drummer Jimmy Cobb and bassists Paul Chambers, Ron Carter, Herman Wright and Larry Ridley. Including over 2 hours from the original radio broadcasts with host Alan Grant, the 2 CD Digipak set comes with an elaborate booklet containing previously unpublished photos taken at the Half Note by Raymond Ross, a new essay from acclaimed journalist and author Bill Milkowski, plus interviews with jazz legends Herbie Hancock, Ron Carter, Bill Frisell, Mike Stern and Marcus Miller.
Wes Montgomery - Maximum Swing: The Unissued 1965 Half Note Recordings [2 CD]
$26.98
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Never A Dull Moment! Live from Coast to Coast (1966-1967) is a previously unreleased collection of live recordings from unsung piano and vocal icon Les McCann. Featuring performances at Seattle’s Penthouse jazz club in 1966 with Stan Gilbert, Paul Humphrey and Tony Bazley, plus recordings by Resonance founder and co-president George Klabin from the Village Vanguard in 1967 with Leroy Vinnegar and Frank Severino. This is an official release (in cooperation with Les McCann) transferred from the original tapes and mastered for by the legendary Bernie Grundman. Deluxe 3 CD set includes an extensive booklet with rare photographs and liner notes, plus quotes and statements from Roberta Flack, Monty Alexander, Roger Kellaway, Emmet Cohen and others.
Les McCann - Never A Dull Moment! Live From Coast To Coast (1966-67) [Deluxe 3 CD]
$29.98
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Composer and trumpeter Ambrose Akinmusire makes his Nonesuch Records debut with Owl Song on December 15, 2023. The album features a trio with two musicians Akinmusire has long admired, guitarist Bill Frisell and drummer Herlin Riley.

“This is my reaction to being assaulted by information,” Akinmusire says of Owl Song. “This record is me wanting to create a safe space. Part of the challenge was: Can I create something that’s oriented around open space, the way some of the records I love the most do?”

He says of his collaborators, “I had a feeling of wanting to record with Bill from the first time we played—it was a duo performance, very little rehearsal. We just played through some of my songs, and it worked. One of Bill’s special gifts is the ability to shape a piece he’s just heard for the first time. He seems to know what the music wants before the first note.

“With Herlin, his commitment to beauty you can find in the groove. I never like to tell musicians too much about what I’m going for, because it should be about what these particular people bring … I said, ‘I know you’re the right person for this because of the way you approach the groove.’ And, of course, what he did is just beautiful.” He continues, “Also, I wanted to put people together who didn’t seem like they would go together ... and it turns out they haven’t played a lot. So, it was cross generational, cross subgenre, cross whatever.”

Ambrose Akinmusire - Owl Song [LP]
$24.98
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Quickly rising jazz pianist Isaiah J. Thompson is back with his tribute to Vince Guaraldi and his music. He comments "Although many claim to not like jazz, I’ve never heard anyone say they dislike holiday music. In my experience, the popular holiday music is jazz. I think Vince Guaraldi in his time deeply influenced how people experienced the music because by being connected to “Peanuts”, it became a part of the popular culture."

Isaiah J. Thompson - A Guaraldi Holiday
$14.98
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Trumpeter Paul Dietrich’s 5+4 arose from the composer’s desire to explore the possibilities of the string quartet within the context of modern jazz. With this group, Dietrich, who also leads both a jazz quintet and a big band, found a solid middle ground between large ensemble compositional approach and small group sensibilities. The result is a record that feels large in scale yet intimate in its improvisational landscape.

Paul Dietrich - 5+4
$13.98
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70th years on from the legendary 1953 concert at Massey Hall, Toronto that featured jazz legends Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, and Max Roach on stage together, comes this complete 3-LP collection. Including two insightful essays and previously unseen photos this expanded collection is pressed on 180-gram vinyl with mastering and Audio Restoration by Paul Blakemore and lacquers cut by Kevin Gray.
Various Artists - Hot House: The Complete Jazz At Massey Hall Recordings [3LP]
$99.98
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2023 release. What happens when you wish upon a star? You get new music from Herb Alpert, of course! The prolific trumpet player returns at age 88 with his new studio album (his 49th!) Wish Upon A Star. Filled to the brim with new takes on classic songs we've known and loved for decades, this set of music continues to serve up the unmistakable trumpet playing of the Tijuana Brass master. Herb covers everything from Jerry Reed's "East Bound And Down" to Elvis' "(Marie's The Name) His Latest Flame" and the Beatles' "And I Love Her". Other hits include "Father And Son", "We've Only Just Begun" and the titular song "When You Wish Upon A Star". Let Herb be your Jiminy Cricket through the magical, musical journey of Wish Upon A Star
Herb Alpert - Wish Upon A Star
$13.98
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Internationally acclaimed saxophonist and composer Kenny G has announced his new album, Innocence. His first collection of lullabies, these timeless tracks with orchestral accompaniment include “Rock-a-Bye Baby”, “Edelweiss”, “Over the Rainbow”, as well as 7 original songs. A career that spans five decades, with over 75 million albums sold and 1.5 billion global streams, seven Top 40-charting singles, 17 GRAMMY nominations, this is Kenny G’s 20th studio album. Available as CD, vinyl & digitally.
Kenny G - Innocence [LP]
$24.98
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Acclaimed trumpeter-composer, Keyon Harrold, makes his Concord Jazz label debut with his much anticipated new album Foreverland, to be released on January 19, 2024. Blending a unique hybrid of Jazz and Hip-Hop/R&B, this special curation of 10 original tracks includes special guests Common, Robert Glasper, PJ Morton, and more. Foreverland will be available on CD, 2-LP at 45 RPM and digitally.
Keyon Harrold - Foreverland [2LP]
$29.98
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After making her professional debut as the cool, breathy voice behind the historic 1964 crossover smash “The Girl from Ipanema,” Brazilian singer Astrud Gilberto became a major force in popularizing the bossa nova sound. Her understated yet magnetic delivery is spotlighted on this collection, showcasing her instantly recognizable approach to songs.

Astrud Gilberto - Great Women Of Song: Astrud Gilberto [LP]
$25.98
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As Duke Ellington would have said, Dinah Washington was “beyond category.” Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n’ roll audiences.

Dinah Washington - Great Women Of Song: Dinah Washington [LP]
$25.98
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Grammy Award-winning trumpeter Chris Botti gets back to the jazz essence of his artistry on his upcoming album, Vol. 1. The album features beautiful new ballad renditions of standards including “My Funny Valentine,” and “Someday My Prince Will Come,” as well as a cover of Coldplay’s “Fix You” and the vocal feature “Paris” with John Splithoff. Produced by David Foster, Vol. 1 features performances by violinist Joshua Bell, pianist Taylor Eigsti, guitarist Gilad Hekselman and others.

Chris Botti - Vol. 1 [LP]
$27.98
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The Cats was released in December 1959 and features John Coltrane (tenor sax), Tommy Flanagan (piano), Louis Hayes (drums), Doug Watkins (bass) and Kenny Burrell (guitar), and Idrees Sulieman (trumpet) playing what are mainly Flanagan-penned tunes. This new edition of the album is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a Tip-On Jacket.
John Coltrane, Tommy Flanagan, Idrees Sulieman, Kenny Burrell - The Cats [Original Jazz Classics Series LP]
$38.98
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The Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians, the two artists selected the songs and worked out the arrangements for what was to become the first of two albums together. This new edition is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a Tip-On Jacket.
Tony Bennett And Bill Evans - The Tony Bennett Bill Evans Album [Original Jazz Classics Series]
$38.98
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Acclaimed saxophonist Joshua Redman’s stunning Blue Note debut where are we is one of his most compelling albums to date. It’s a musical journey across the United States of America that also marks Redman’s first-ever vocal album with the dynamic young singer Gabrielle Cavassa featured throughout along with a brilliant band comprised of pianist Aaron Parks, bassist Joe Sanders, and drummer Brian Blade.

Joshua Redman - where are we [2 LP]
$37.99
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Los Angeles-based experimental jazz collective High Pulp will release their new album Days in the Desert in peak sweltering summer heat on July 28. The titular desert is both literal and metaphorical: it's the Mojave Desert that the band powers through on their many DIY tours around the country, and the band's founder / drummer Bobby Granfelt perceives the desert as "a spiritual quest" as well. Amid the trials of our present moment, you must look within, relying solely on your own instincts to keep moving forward. "You're in the desert and it's a long, lonesome process and a lot of times you have to check yourself to ask 'Is this right? Is this good? Is it too out?'" he says.High Pulp's Days in the Desert makes this vision come true, finding the West Coast band fully emerging into their own sound. Rooted in the jazz tradition while also smitten by indie-rock and electronic music, High Pulp was willing to grab from all these sounds at once to pursue something truly their own. Their third full-length album (following 2022's promising Anti- debut Pursuit of Ends), Days in the Desert reveals the band realizing their strengths, deepening their own bonds, and pushing all these skills into a thrilling new sonic vista all but unimaginable just a few years before.
High Pulp - Days In The Desert [LP]
$23.98 Video
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Johnathan Blake’s new album Passage is a stirring follow-up to acclaimed 2021 label debut Homeward Bound. The drummer and composer reconvened his band Pentad featuring alto saxophonist Immanuel Wilkins, vibraphonist Joel Ross, pianist David Virelles, and bassist Dezron Douglas. Dedicated to Blake’s father and musical mentor, jazz violinist John Blake, Jr., Passage captures the arc of personal and collective evolution: the passing from one moment to the next, from one phase into another.
Johnathan Blake - Passage
$13.95
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The Newport Jazz Festival had always brought the best out of Nina Simone. On July 2, 1966 the audience was treated to the full range of her artistry – from the opener, a breathtaking version of “You’ve Got To Learn” to a swinging take on “Mississippi Goddam.” After the standing ovation, her fans were rewarded with the show- stopping encore, “Music For Lovers.” This previously unreleased recording makes it clear why hearing Nina Simone in concert was a once-in-a-lifetime experience. Indie Exclusive Bone LP.
Nina Simone - You've Got To Learn [Indie Exclusive Limited Edition Bone LP]
$25.98 Video
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John Coltrane - "Evenings At The Village Gate: John Coltrane With Eric Dolphy" - In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library. In addition to some well-known Coltrane material ("Impressions"), there is a breathtaking feature for Dolphy's bass clarinet on "When Lights Are Low" and the only known non-studio recording of Coltrane's composition "Africa", from the Africa/Brass album.
John Coltrane - Evenings At The Village Gate: John Coltrane With Eric Dolphy
$13.99 Video

        
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