Rock & Pop
The New Abnormal is the long awaited new album from The Strokes, and the band’s first album in seven years. The album was announced with the first track and video, “At The Door.”
The New Abnormal is The Strokes’ sixth studio album and was recorded at Shangri-La Studios in Malibu, California, with producer Rick Rubin. The album’s cover artwork is a painting called ‘Bird on Money,’ by famed artist Jean-Michel Basquiat.
The Strokes are singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr, bassist Nikolai Fraiture and drummer Fabrizio Moretti.
'The man singing these songs isn't exactly the same man who wrote them,' says Pokey LaFarge of Rock Bottom Rhapsody, his eighth and latest studio release. 'This album is about the story of who I used to be.' In early 2018, LaFarge ' searching for the sort of artistic freedom and inspiration he wasn't finding in the Midwest ' relocated from his longtime home base of St. Louis, Missouri, to Los Angeles, California. New songs came quickly to LaFarge in his new environment, but new temptations soon found him, as well. Though he declines to get into specifics, LaFarge admits that he experienced a significant 'fall from grace' during the last months of 2018. 'Things sort of started to unravel in my mind,' Shortly before the recording of Rock Bottom Rhapsody began, LaFarge experienced a spiritual awakening ' and the faith he re-embraced in his hour of darkness helped to buoy him through the making of the album. Though he was struggling for spiritual equilibrium at the time, LaFarge at least had some rock-solid musical support to lean on. Recorded primarily at Reliable Recorders on Chicago's Northwest side, Rock Bottom Rhapsody was produced by LaFarge's friend and collaborator Chris Seefried (who also co-wrote several of the album's tracks), and features the considerable talents of guitarist Joel Paterson, keyboardist Scott Ligon, upright/electric bassist Jimmy Sutton, and drummer Alex Hall. Musically, LaFarge continues to mix and match a wide variety of styles and traditions, while never losing track of his own vision This record is kind of like Roy Orbison and Bob Dylan hanging out with chanson singers and French jazz bands in like the forties, but I was never trying to make it sound like a particular person. Despite the trying period that preceded its recording, Rock Bottom Rhapsody is ultimately far more uplifting and life-affirming than its title would suggest. 'That desperation, that struggle,' LaFarge ponders, 'Did it add something to the record? It certainly did. I mean, I don't know if it made it better; it just is what it is. It's not up to me to decide if people are going to feel that'
"It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, "Is this the future? Is this our future?"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one." - M. Ward
2020 live release. Produced by The Monkees' archivist Andrew Sandoval and mixed by Christian Nesmith, The Monkees - The Mike & Micky Show Live was recorded live in March 2019. The collection includes performances of all three of the band's #1 hits: "Last Train To Clarksville," "I'm A Believer" and "Daydream Believer." In addition to those hits, the live album also spotlights many of Nesmith's finest compositions, including several songs that were never performed live during the Monkees' heyday, like "St. Matthew" and "Auntie's Municipal Court." Other Nesmith-penned tunes on the collection include live versions of "The Girl I Knew Somewhere," "Listen To The Band," "Papa Gene's Blues," "You Just May Be The One" and "You Told Me." Dolenz takes the spotlight singing hits like "Pleasant Valley Sunday," "Randy Scouse Git," "Mary, Mary," "Goin' Down," "For Pete's Sake," and "Porpoise Song." The collection also features live versions of "Me & Magdelena" and "Birth Of An Accidental Hipster" from The Monkees' most-recent studio album, Good Times (2016).
2LP – Double Vinyl w/ 3-sides audio and 1-side etched; includes 32-page booklet
Pearl Jam will release their much-anticipated eleventh studio album, Gigaton, on March 27th. It marks the band's first studio album since 2013. "Making this record was a long journey," explains Mike McCready. "It was emotionally dark and confusing at times, but also an exciting and experimental road map to musical redemption." 2020 officially marks 30 years of Pearl Jam performing live, with over 85 million albums sold worldwide and a 2017 induction into the Rock and Roll Hall of Fame.
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Tom Morello, Tim Commerford and Brad Wilk of Rage Against The Machine, Chuck D and DJ Lord of Public Enemy and B-Real of Cypress Hill have lived the resistance from day one. So it's no surprise that in the midst of 2016's tumultuous election, the revolutionary musicians would join together as Prophets of Rage to combat the coming storm, whatever it may be.
While the fierce independence and enduring influence of their collective lineage is nearly impossible to overstate, these creative kindred spirits knew immediately this was a different beast. Set for release in September of 2017, Prophets of Rage, their explosive, self-titled debut LP, exemplifies the band's commitment to creating a more decent and humane world. The 12 tracks, produced by Brendan O'Brien fuse the diverse styles, sonic firepower and hard-hitting social consciousness of the group's previous work into an inventive and commanding new musical statement.
The lead singer of beloved heartland-punk band The Gaslight Anthem, Brian Fallon steps away from that sound and into a stripped-down Americana space on his third solo album, Local Honey. Produced by Grammy-award winning producer Peter Katis (The National, Frightened Rabbit, Death Cab for Cutie), the album showcases Fallon's songwriting in small vignettes, from a loving devotional for his daughter to a vengeful murder ballad.
Lilly Hiatt felt lost. She’d just returned home from the better part of a year on tour in support of her acclaimed third album, Trinity Lane, and, stripped of the daily rituals and direction of life on the road, she found herself alone with her thoughts for the first time in what felt like ages.
So Hiatt did what’s always come most natural to her in times of questioning and uncertainty: she picked up a guitar. Over the course of the ensuing winter, she wrote new music that grappled with her sense of self and place in the world, reckoning with issues that had been bubbling beneath the surface of her subconscious in some cases for years. The result is Walking Proof, Hiatt’s fourth and most probing collection to date. The record walks the line between Hiatt’s rough, rock and roll exterior and her tender, country roots. Lilly Hiatt’s not feeling so lost these days, and with Walking Proof, she’s crafted a roadmap to share with the rest of us.
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this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy - we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.
Tesla visited the iconic Abbey Road Studios for a one-night musical event, performing songs from their legendary arsenal including "Love Song" and "What You Give" along with their classic covers of "Signs" and "We Can Work It Out." Additionally, for the first time ever, the band performed the track "California Love Song," from their latest studio album, Shock. The performance was recorded and filmed in 4K HD, bringing forth Tesla's upcoming live album, Five Man London Jam. Available on 2LP.
Cavetown’s major-label debut album, SLEEPYHEAD, due out March 27, 2020, on Sire Records. Recorded, produced, mixed and mastered by Skinner himself in the bedroom of his new London apartment (some things never change), the 11-song collection is set to prove to the world why he’s become not just a cornerstone of the bedroom pop community, but a torchbearer for the next generation of his genre.
By focusing less on the more imperceptible aspects of his productions, Skinner’s distilled his energy on Sleepyhead into what really moves fans: the songs themselves, occasionally lighthearted, largely poignant – but always authentically him. The album is awash in ambient indie-rock nuance, creaking acoustic guitars and Skinner’s poetic lyricism, all steadied by his tranquil melodies and reassuring timbre.
Some 250 million Spotify plays and 1.15 million YouTube subscribers after launching Cavetown, he’s a radically different person than he was just a few years ago. “Basically every aspect of my life has changed since putting out Lemon Boy,” he admits. “Often when change happens, it’s so slow that you don’t notice it. The speed at which it’s happened has made me appreciate everything.”
Half Waif Nandi Rose is on her own again, and three songs into her forthcoming album The Caretaker, the singer, songwriter and producer declares her fearlessness: "Baby don't worry about me, I don't worry about you." Here, on "Ordinary Talk," Rose meditates on the heaviness of ordinary moments, the constellation of tears and chores and self-doubt and small talk that comprise being a person, accompanied by her most cinematic, pulsing arrangements to date. It's an apt introduction to The Caretaker, an ax-lbum that negotiates the space between working alone and with others, between isolation and connection. The result is her boldest work yet. Over the course of eleven songs, Rose creates the lush world of a humid summer night, dreaming of and reaching for a season in which she is her "best self."
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Grizzly Bear releases their highly anticipated fifth full-length album "Painted Ruins" following up their 2012 commercial breakthrough "Shields." The band spent the better part of two years writing and recording the eleven new compositions featured on "Painted Ruins" with the entire album produced by Grizzly Bear's own, Chris Taylor.
The film, 'Viva The Underdogs' features over a decade of behind the scenes personal footage, coupled with unprecedented access to the bands most explosive live tours and world's biggest music festivals. The film gives an incredibly honest and candid look at Parkway Drive's journey; the good-times, battles, triumphs, and sacrifices. "Viva The Underdogs" the album features 14 tracks; 11 of their biggest songs recorded live at the Wacken Open Air Festival in Germany, as well as three of their most popular tracks re-imagined, recorded in German and one with a feature from German Rap artist, Casper.
Orion Sun will be releasing her Mom + Pop debut and sophomore record 'Hold Space For Me' at the end of March. She's been quickly making a name for herself in her current hometown of Philly (originally from New Jersey) and beyond. She's opened for buzzy Alt-R&B/Hip-Hop acts such as Noname, Ibeyi and Sudan Archives and was highlighted by NPR as a 2019 Artist To Watch. Her story, that of an early 20s woman of color dealing with and learning about life's obstacles and celebrations, is understood best through her song lyrics; citing J Dilla, Nancy Wilson, Jodeci, Kirk Franklin, Hazel Scott and Digable Planets as just some of her many influences. She's a career artist with a long road ahead and her sound defies trends; capitalizing on a velvety and familiar voice with timeless jazz / folk / R&B instrumentals.
Devotion, the second album from Margaret Glaspy, is a collection of twelve love songs, reflecting the phases of romance –appreciation and frustration, doubt and adoration. While Glaspy has become known as a skilled guitarist; on Devotion she shifted her songwriting process, building these tracks on computer-based tools like MIDI and Ableton before opening them up on guitar. The result is a new sonic terrain that highlights her vulnerable lyrics and unique emotive vocals.
Kesha reclaims her place in the music world with her new song, "Praying" - the initial advance track from 'Rainbow', her first album in nearly five years. Kesha wrote "Praying" with Ryan Lewis, Ben Abraham, and Andrew Joslyn; Lewis (Macklemore & Ryan Lewis) produced the track. 'Rainbow' will be released August 11th on Kemosabe Records/RCA Records. The music video for "Praying," is directed by Jonas Åkerlund. 'Rainbow' marks a new beginning for Kesha, one based around inner strength and musical exploration as she achieves her vision for the album by enlisting a roster of collaborators ranging from Eagles of Death Metal to Dolly Parton. Ben Folds produced the title track with Kesha, while Ricky Reed produced and wrote numerous tracks as well. Wrabel co-wrote a collaboration that features the Dap-Kings horn section. Eagles of Death Metal are featured on two tracks, while Parton guests on a version of her 1980 country chart-topper "Old Flames Can't Hold a Candle to You." The track was co-written by Kesha's mother Pebe Sebert, who also has other songwriting credits on 'Rainbow'.
Kesha has had 9 Top 10 hits on The Billboard Hot 100, including four #1 singles at Top 40 Radio - "TiK ToK," "Your Love Is My Drug," "Die Young," and "Timber." Kesha took home the MTV EMA for Best New Act in November 2010 and was nominated for 2 American Music Awards, 3 MTV VMA Awards, and 6 Billboard Awards. She has performed on dozens of television programs all over the world, including MTV Europe Music Awards, Much Music Awards (Canada), Echo Awards (Germany), X Factor (Australia), American Music Awards, Billboard Awards, American Idol, Saturday Night Live, and The Today Show Summer Concert Series
Single LP on black vinyl in single jacket w/ matte coating. Includes euro sleeve (with lyrics) & 24”x36” poster. Download coupon also included
What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.
Conan Gray announces his highly anticipated debut album Kid Krow, releasing on March 20th, 2020 via Republic Records. Gray recently wrapped up his headlining tour with three sold out nights at The Fonda in Los Angeles. Having sold over 65,000 tickets over his first two headline tours, Conan has quickly built an undeniable fan base. Kid Krow features the hit single "Maniac" which has already amassed over 110K in Global Consumption!
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Native Invader is the celebrated singer-songwriter Tori Amos hotly-anticipated new album on Decca Records. Tori's confessional style of writing sees her continue to push boundaries with her music. Her messages of empowerment, tenderness, acerbic assertiveness and her utterly peerless sound speaks to audiences across the globe. In this new album, Tori delves even deeper into her personal experiences, and the standard is there to be seen.
This record was written mostly in the summer of 2016 in my apartment off of Trinity Lane. A few tunes came out on the road as well. After moving out of an ex's house, I settled into a new neighborhood down the road. Shortly after, I picked up a tour with my good friend John Moreland where we went to the West Coast and back. I was trailing them in my little 2002 Honda Accord that has literally been all over the country with me. A woman in my early 30s, I found myself sick of my same old shit. I was inspired by the landscape of the west. My faith was tested on the curves of the Highway 101 through the Red Woods. I got terrifyingly stoned on weed gummy bears in Denver. I saw real cowboys in Wyoming and drove through a flood in Arkansas. I felt displaced, but connected. Upon returning to the south, my home of Tennessee, I slunk back into my nook off of Trinity. I went over all the things I'd seen. There had been a freedom in being so far away - a lack of responsibility, a distance from some of the issues, if you will, though I'd carried them right with me, back to my birthplace of Los Angeles, peering over the ocean, wondering how you can come so far yet end up in the same place. I contemplated fleeing and just staying in California, but the south is my home and I had to deal with what needed to be dealt with. I started to write. And go to the park. And listen to records. And play my guitar every night. Every time I wanted a man, I picked up my guitar. Every time I wanted a drink, I picked up my guitar. Love will take you to the darkest places but also to the most honest places if you let it. Learning how to love myself is something I've always been lousy with, and I spent some time on that. I thought about my sobriety, what that means to me, the struggles I'd had throughout the years, since I was a 27-year-old and hung up my toxic drinking habit. I thought about my mother, who took her own life when I was a baby, not far from my age at 30 years old, and I related to her more than ever. As you can see, there was plenty of time spent on my own. I didn't talk to that many folks, albeit a few close friends, and leaned into my family. I stayed away from men, and danced alone in the evenings, looking out my window observing my humble and lively neighborhood. I found power in being by myself. I found peace in the people I was surrounded with - we didn't really know one another, but we smiled when passed on the street. One time I almost rear-ended an older woman in her car backing out of my driveway and I said, "Oh man, I'm just not used to any cars coming around this bend." She replied, "This is our little hideout, baby.” And it really was. The woods were behind me, Dickerson Pike was in the front. So after a while, I had all these songs to play, and wanted to share them. I wanted to get out of town to get some distance from everything, so after an ongoing conversation with Michael Trent, I took my band to Johns Island, SC and we holed up for a few weeks. I poured my heart out, and trusted them with it, and these guys gave it right back. I think we all understood what it's like to question home, intention, demons, love....I think most people understand that. I hope you love this record, I made it for you.